A single second of 8K 16-bit uncompressed IMAX footage can easily consume several gigabytes of storage. Digitizing a full-length feature film requires petabytes of high-speed storage arrays (SAN/NAS) and massive computational bandwidth for color grading and visual effects processing. Production vs. Archival Scanning
This is the world of , a highly specialized technical discipline that bridges classic analog filmmaking with cutting-edge digital post-production. The Anatomy of the 15/70mm Negative imax film scan