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The weight returned. He was in his sister’s kitchen in Soweto. The song was a memorial for the ones you couldn't name—Sisulu, Mxenge, the children of the uprisings. He saw his nephew, Bongani, a boy of seventeen with a petrol bomb in one hand and a photo of his dead mother in the other. Asimbonanga (we have not seen him). They sang it for Mandela, still a number on Robben Island. They sang it for themselves. Elias wept, the tears hot on his cheeks in the cold flat. He hadn't wept for Bongani in thirty years. Bongani who never came home from the Cape Flats. The golden eras of South African music carry