The policeman wasn't looking at the trawler. He was looking at the Mercedes through binoculars.

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No Comebacks remains a high watermark in the short story genre. Frederick Forsyth proved that he could do more than weave complex international conspiracies; he could capture the essence of human cunning and comeuppance in a few dozen pages.

The Mercedes belonged to the Corte-Real brothers. They were not sentimental men. They dealt in construction permits, demolition orders, and occasionally, the sort of removal services that did not require heavy machinery. Marsh had been a surveyor, a man who knew where the bodies were buried—metaphorically speaking—until he had decided to bury a few of his own secrets in the concrete foundations of a new resort development. He had demanded a pension; they had decided on a funeral.

For readers searching for a masterclass in suspense, irony, and criminal tradecraft, this collection remains a seminal work in espionage and thriller fiction [1]. The Core Philosophy of No Comebacks