Addicted 2002 Korean Movie 31 //free\\ Jun 2026

The film is known for its intense, twist-filled climax. The final scenes show the emotional toll the events have taken on all characters involved. It is eventually revealed that the "possession" may have been a deeper, darker psychological obsession, as it is disclosed that Dae-jun (Dae-jin) had cherished feelings for Eun-soo long before his brother did, throughout the entire time she was married to Ho-jun. The final scene features Dae-jun scattering Ho-jun's ashes, highlighting themes of closure, loss, and the haunting nature of forbidden love. Why "Addicted" Remains Relevant

The story follows two brothers: the elder, Ho-jin, and the younger, Dae-jin. Both fall into a coma following separate traffic accidents on the same day. A year later, Dae-jin wakes up but claims to be his brother, Ho-jin. He displays his brother’s personality, memories, and habits, forcing Ho-jin’s wife, Eun-su, into a confusing and emotionally fraught situation where she must decide if she believes her husband's soul has possessed his brother's body. Addicted (2002) by Park Young-hoon Film Review - IMDb Addicted 2002 Korean Movie 31

| Detail | Information | | :--- | :--- | | Korean Title | 중독 (Jungdok) | | English Title | Addicted / The Poisoning | | Director | Park Young-hoon | | Starring | Lee Byung-hun, Lee Mi-yeon, Lee Eol | | Release Date | October 18, 2002 (South Korea) | | Running Time | 110–114 minutes | | Genre | Psychological Thriller, Melodrama | The film is known for its intense, twist-filled climax

The film's English title, Addicted , is a direct commentary on its central theme. The story isn't just about love; it's about a toxic, all-consuming obsession that becomes a psychological addiction. For Dae-jin, his love for Eun-soo is not a healthy affection but a pathological fixation he is willing to destroy his own identity, his relationship with his brother, and the entire fabric of their family to satisfy. The film explores how far a person can go when they are addicted to another human being, blurring the lines between love, possession, and psychosis. The final scene features Dae-jun scattering Ho-jun's ashes,