Scroll down to the OpenFX category or type "CineMatch" into the search bar.
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Choose your desired target (e.g., Arri Alexa - LogC or Rec 709). Scroll down to the OpenFX category or type
Color grading footage from multiple different cameras is one of the most tedious tasks in post-production. Every camera manufacturer handles color science differently, meaning a shot from a Sony FX3 will inherently look vastly different from a shot captured on a Blackmagic Pocket Cinema Camera or a Canon R5. If you share with third parties, their policies apply
, and a GoPro, or matching your A-cam to a B-cam, color science differences can break the immersion of your project.
If you have downloaded a file named something like CineMatch_127.zip or similar, follow these steps to install it correctly into DaVinci Resolve: