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In this collection of three stories, an emotionally abused
wife finds comfort in the arms of her brother-in-law, a young
dancer undertakes an erotic and redemptive pilgrimage to Rome
involving live sex shows and nude photography, and a femme
fatale looks into a mirror as she recalls a sadomasochistic
love affair...
Try
imagining an erotic version of Alfred Hitchcock Presents,
and you'll have some idea of what this DVD series is like.
Only less well made. Producer Tinto Brass has little direct
involvement with these short films, apart from introducing
each one while puffing away characteristically on a cigar,
and making the occasional cameo appearance.
Though
the productions claim to have been directed in the "Tinto
Brass style", there is scant evidence of it here. Only in
A Magic Mirror is there any hint of Brass's eccentricity,
in the grotesque character of a brusque layabout husband (Ronaldo
Ravello), who spends much of his screen time lounging around
in a bath, like the captain of the B-Ark in The Hitchhiker's
Guide to the Galaxy. But, although this tale displays
the most humour in the entire collection, it also shows off
the least amount of bare flesh, which is surely another important
ingredient that the audience will be expecting.
Things
get sexier in Julia, the story from which this collection
takes its name, which includes some particularly explicit
and highly charged sex scenes. Unfortunately, the plot is
almost totally incomprehensible - something to do with a dancer
(Anna Biella) going to Rome, but wildly at odds with the description
on the back of the sleeve, which mentions a photographer's
three beautiful models. I counted two of them at the most.
This production is also blighted by amateurish editing, which
leaves several gaping holes in the soundtrack. Oh well, at
least this DVD is subtitled, which spares us from woeful English
dubbing of the type recently heard on Brass's Private.
The
final tale, I Am the Way You Want Me, is a very weird
and nasty little minx. In it, a naked woman (Fiorella Rubino)
sprawls around in her bathroom, mouthing various strange utterances
to camera, and doing erotic things to herself, such as shaving
with a fearsome-looking cutthroat razor (shudder). And that's
about it.
A
further disappointment is the lack of any extra features.
So, all in all, this DVD has left me feeling rather brassed
off!
Chris
Clarkson

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is the definitive way to experience this cult classic. It takes the raw, jagged edges of the original and polishes them just enough to be playable, while retaining the oppressive atmosphere that fans love. It is a heavy, emotionally draining experience, but for fans of narrative-driven horror, this is a must-play.
The Portable version allows you to run the game directly from a USB drive or a dedicated folder. This makes it perfect for players who jump between different PCs or want to keep their gaming library "clean." 2. Steam Deck and Handheld Compatibility its not a world for alyssa version 16 portable
: Ensure you have downloaded the correct package containing the Version 16 Portable game files. is the definitive way to experience this cult classic
She used it on the nights when sleep abandoned her. On a rooftop above the transit light, she’d open the case and find her mother young in a market scene that no longer existed: a stall selling oranges whose scent the city’s air filters now suppressed. Her mother’s laugh—unapologetic, sharp—cut through the city’s antiseptic hum and reminded Alyssa that tenderness could be stubborn. The Portable version allows you to run the
"It's not a world for Alyssa" is a substantial visual novel published on March 30, 2025, with an estimated playtime of [4†L8][12†L4]. The game is rated 18+ and contains uncensored erotic content [4†L9][12†L13].
New story branches that further test Alyssa's worldview.
It's Not a World for Alyssa Version 16 Portable is a niche offering for a specific audience. It is not a game for everyone. Its target audience consists of:
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£15.99
(Amazon.co.uk) |
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£15.49
(MVC.co.uk) |
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£15.49
(Streetsonline.co.uk) |
All prices correct at time of going to press.
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