The 2022 Palme d’Or winner Triangle of Sadness is the defining text here. Director Ruben Östlund takes the family vacation trope (here, a luxury cruise for influencers and oligarchs) and detonates it:
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We are no longer just watching the Griswolds at Wally World. We are watching The White Lotus , Succession ’s corporate retreats, Old , Leave the World Behind , and countless true-crime specials about "what happened on the cruise." These stories don’t just push boundaries; they set up a picnic on the wrong side of them. The 2022 Palme d’Or winner Triangle of Sadness
When it comes to family vacations, we often think of sun-kissed beaches, theme parks, and quality time with loved ones. However, popular media has been pushing the boundaries of what's considered "acceptable" when it comes to family vacation entertainment. From raunchy animated movies to outrageous reality TV shows, the content we consume has become increasingly taboo. If you share with third parties, their policies apply
Some notable examples include:
The for this article (e.g., travel bloggers, parents, media students)
By making it taboo, by violating its innocence on screen, we give ourselves permission to admit the truth: The family vacation is rarely fun. It is a performance. And popular media’s greatest, darkest entertainment is finally exposing the script.